The Bull - A Progression

A poem by Ocean Vuong, The Bull, evokes feelings, memories, of my early experiences reaching out to touch another human, another man, sometimes simply an unexpressed yearning, sometimes an illicit, uninvited, unwelcome touch, sometimes, increasingly, mutual, reciprocated. 

Even after coming out as gay, after decades of living my desires in loving sexual relationships, there are moments when that old yearning is a thirst so deep it's impossible to quench; moments when it returns as something more than a sexual desire, more about the rawness of stepping into the unknown and unknowable, of being present to the moment, this moment that will never occur again. 

Adolescence was a time when touch was no longer innocent, when the sexual charge changed everything. And now, now it is more fundamental, the touch, the presence of someone who may not be alive after today, this week, this month. A sense of time, of life, as more etherial, about the subtle ways I am present for myself, for another, or wall myself off.


Cultural Context

There’s a thousand-year history of ox herding as a Zen Buddhist teaching metaphor of the search for enlightenment and living after enlightenment. 

A bull, Yamantaka, is the wrathful protector form of the bodhisattva Avalokiteshvara, from Tibetan Buddhist teachings originating in India.

Bulls and oxen have a long European history as well, from bullfight to minotaur.

Kakuan Shion Zenji (12th Century)
in Yamada Mumon, Lectures on the Ten Oxherding Pictures
Translated by Victor Sogen Hori (2004)


The Deity Vajrabhairava, Tantric Form of the Bodhisattva Manjushri
image at metmuseum.org


Pablo Picasso, Le Banderillero (1959)
at Minneapolis Institute of Art


Questions

Where does my mark making take me? 

What can I learn about literal bulls and oxen? About their myths?

What personal imagery and emotions arise?

What if it's not (only, just) about the bull? What other phrases reverberate? .
.. an entrance the shape of an animal ...

 

The Bull Blacked Out

The Bull by Ocean Vuong, Blacked Out by Larry Wolf (2022)

Bull


He 
alone 
back 
so dark
purpled
opened
Wind
He
kerosene-blue
want
forget
no
He
breath
alive
boy
murderer murderer
god
still
god
still
pray
man
no mouth
green-blue
want want
beautiful -- beauty
more hurt
hold
reached reached
trance




A Storyboard

Larry Wolf, The Bull Storyboard (2022)

First Two Watercolor Paintings

Larry Wolf, Bull with Kerosene Eyes (2022)


Larry Wolf, Bull in Darkness (2022)


Drawings

Larry Wolf, Man and Bull with Tori Gates (2022)


Larry Wolf, Fill the Page (2022)


Larry Wolf, Highland Bull (2022)


Larry Wolf, Takin (2022)


Larry Wolf, Takin (2022)


Larry Wolf, Horns (2022)


Larry Wolf, Takin (2022)


Larry Wolf, Horns (2022)


An Entrance the Shape of an Animal


Larry Wolf, Bull (2022)


Larry Wolf, Composition (2022)


Wherever It Takes Me

Larry Wolf, untitled (2022)


Further Backstory on Ocean Vuong's The Bull

The poem is used as a prompt for the artist, Not Vital, in the NYTimes (2016)

Not Vital, Bull inside & out (2016)
image from the NYTimes


Script from The Kindergarten Teacher (2018)
image from the NYTimes
The poem is also used in a 2018 film, The Kindergarten Teacher, where it is presented as the work of a five-year old. (NYTimes) (IMDB)

The US film is based on a 2014 Israeli film, Haganenet (IMDB)



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