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| Larry Wolf, Cyano on Linen (2026) |
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| Larry Wolf, Drawing with Used Risograph Master (2026) |
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| Larry Wolf, Cyano on Coffee Filter from Drawing (2026) |
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| Larry Wolf, Adam at the AI (2025) gift from Robert Allerton |
another visitor in the gallery asked: Minor White?
Yes, the photographer
He stole my friend Sheri's husband at a workshop
Stole him? Or borrowed for the workshop?
Stole him.
The student so enraptured by the teacher to be stolen away
Tim's suggestion to actively misread misremember reimagine
To embody and make it my own.
Of all the bastardsThese are the most beautifulThe ones I call my sons.
Minor White, Memorable Fancies
15 December 1954
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| Larry Wolf, Cyanotype #1 (2025) |
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| Larry Wolf, Cyanotype #2 (2025) |
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| Larry Wolf, Cyanotype #3 (2025) |
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| Larry Wolf, Cyanotype #4 (2025) |
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| Larry Wolf, Cyanotype #5 (2025) |
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| Larry Wolf, Cyanotype #6 (2025) |
Created at a workshop led by Taylor at Lot'sa.
The text in the prints comes from my application to the Allerton/Hood Residency: raging, river, desire, lines, amateur. Howl is a reference to Allen Ginsberg's poem.
The week ended with a "no" from the Allerton Hood Residency, though also encouraging future projects. As much as I've been focused on the possibility of that residency, I'm pausing in the gap of not knowing what's next.
I went through my application material and pulled out some key phrases that speak of my art practice regardless of project or proposal. I've been talking with other artists. Here are words I'm reflecting on.
A Practice Retreat - A Portal
To Be Held - To Hold a Camera
Desire Lines - Traces in the Land
Inner Queer - Public and Private
Amateur = Love
Raging River
... feel its force
... see where it takes me
Trail of Death
... traumatic clearing
... survivance
Dawn & Dusk
... the sun is slant
... the mind is open
Dreaming
Dragons & Demons
Fire - In the Dark of Winter
Crucible - Cauldron - Caldera
Raw Edges - Deep Surprise - Not Knowing
Personal Inner Wild
Generative Spark - Something New Emerges
Creating Meaning
A pair of sphinx face Allerton House, invoking Oscar Wilde's poem. Those words, too, echo in my mind.
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| Larry Wolf, View from My Porch (2025) |
"Have you ever been in love?"
Yes.
"Then you can photograph."
...
The teaching job at California School of Fine Arts became available, the Newhalls recommended me to Ansel and I appeared in SF on my birthday, 1946.
All the background of science, art, teaching, photographing, living with people, writing, traveling was suddenly channeled into teaching at CSFA. I felt that I did not know enough.
The lessons learned from the Boleslavsky went into effect. The principles of art history were converted to use by photographers; the psychological approach learned from Shapiro went into effect, the idea of the equivalent from Stieglitz went into the curriculum; technique was learned from Ansel at a high rate of speed and his Zone System became my staple.
...
I taught five days and three nights a week for the first two years. There was little time to see the city ... I got to know the city from student's pictures. The first shooting of my own was a kind of compulsion to work at Land's End. Illustrations to fit the Amputations verses as equivalents was the first bite into serious photographing since Oregon.
Minor White, Memorable Fancies, 1948
edited by Todd Cronnan and Peter Bunnell (2025)
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| Larry Wolf, On My Birthday - Flight to San Francisco (1974) |