Self-Organizing Organizations

A friend is hosting a workshop to focus his small company, Courage Labs. Here's his recommended reading/viewing list and commentary:

Reinventing Organizations

Talks about how to build solid organizations that people want to work in/on.  I'll be using "Orange" and "Green" and "Teal" a lot -- you should know what that means in an organizational context.

Holacracy as an Evolutionary Algorithm

A Teal organization (see above) doesn't have a master planner -- it has partners who care and work to help the organization evolve.  I have a strong bias toward this particular ruleset.

Imagine a Company Without a Boss

A 20-minute introductory video about Holacracy (without a lot of detail).

Official Holacracy Introductory Video

Introduces the Holacracy governance system, its core meetings and constitution.  My intention is to have Courage Labs abide by the Holacracy Constitution.

Benefit Corporation (Wikipedia)

I want Courage Labs to be a place that is beyond profit.  A purpose-driven organization that is driven as much (if not more) by how much it benefits the world as how it generates profit.  I will be pushing for reorganizing Courage Labs as a Benefit Corporation.

3 Tier Partnership App

A Holacracy "app" that can define how to "split up" ownership of a Holacractic organization.  I'll be asking everyone at this meeting what tier they belong in.

Ten Minute Meditation Instruction

At a recent company meeting, one of my co-workers asked for some resources for meditation practice. I thought "this is something I could offer." Here is the first of a series of 10-minute talks on meditation practice. Short pieces to be of benefit to new and more experienced meditators.

Last year began with contemplating action. This morning, at the start of another year, seems to be about stillness. The stillness of being awake at 4am. The stillness of reading an article about letting go and the actions that lead to stillness (not as much of a contradiction as it seems). The stillness of 10 minutes of meditation. Of drinking a cup of water. Of putting some paper in the recycling bin. Of opening up this window on my inner world.

We take on the view of artists - themes from John Berger

Outcomes
John Berger explores the idea that the outcome of a story is less about the arc of the story and more about the continuation of the artist's way of seeing that is communicated to the reader or the viewer of an art work ... the extent to which that perspective continues in the mind of the reader ...what the artist attends to and how that attention is conveyed to the reader ...what is observed and what is ignored ... what holds the attention an what is skipped over.

"In following a story, we follow a storyteller, or, more precisely, we follow the trajectory of a storyteller's attention, what it notices and what it ignores, what it lingers on, what is repeats, what considers irrelevant, what it hurries towards, what is circles, what it brings together. Throughout the story we become accustomed to the storyteller's particular procedure of bestowing attention, and of then making a certain sense of what was at first glance chaotic. We begin to acquire his storytelling habits. .. something of its way of paying attention will remain with us and become our own." John Berger, Bento's Sketchbook, page 72

Stepping into a painting
One of the things that John Berger notices is how a person seen in a painting is relating to the artist ...what a viewer might read in the eyes of the subject that informs us of the love or hate or indifference of the two to each other ... What places us in the time and place of the artist and subject ... the time of day, the economic stresses, the personal and social history.

"In the Dutch part of the collection, we passed drunken peasants, a woman reading a letter, a birthday party, a brothel scene, a Rembrandt, and a canvas by one of his pupils. I moved on and then quickly came back to look at it several times.
"This pupil of Rembrandt was called Willem Drost. He was probably born in Leiden. ... We don't know where or when he died.
"She is not looking a the spectator. She is looking hard at a man she desired, imagining him as her lover. This man could only have been Drost. The only thing we know for certain about Drost is that he was desired precisely by this woman.
"I was reminded of something of which one is not usually reminded in museums. To be so desired - if the desire is also reciprocal - renders the one who is desired fearless. Not suit of armour from the galleries downstairs ever offered, when worn, a comparable sense of protection. To be desired is perhaps the closest anybody can reach in this life to feeling immortal." John Berger, Bento's Sketchbook, pages 26-27

John Berger .. a book and its ripples

My year-end vacation started with a late lunch at the Art Institute and then a wandering path home .. up Michigan Avenue then on the the L from Chicago to Belmont. At Unabridged Books, I picked up John Berger's "Bento's Sketchbook - How does the impulse to draw something begin?" I carried it around the store as I browsed other books, thinking it would be a good gift for my mother. The more I carried it around, the more I got to thinking that I would read it myself. Something about the design of the book, its abundance of drawings and my longstanding relationship as a reader of his books kept calling to me. On my way to the checkout counter, I picked up a blank sketchbook, deciding that 2012 might be the year I  learned to draw.

Daniel Jason and Alexander Joshua

SI Graduation